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Linea

From Attu Project
Revision as of 13:00, 21 September 2025 by WalterWhiteOnWiki (talk | contribs) (Created page with "{| class="infobox" style="width:300px;" |colspan = 2 style="text-align:center;font-size:120%;background: lightgrey"| '''Linea''' |- |colspan = 2 style="text-align:center"| 300px <br> A reconstructed clay pot, part of the original collection of Montesuvian Pottery. The pottery served as a major inspiration for the art movement. |- | '''Location''' | La Rossa |- | '''Influences''' | Montesuvian Pottery |} '''Linea''' (Ros. for "line"...")
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Linea

A reconstructed clay pot, part of the original collection of Montesuvian Pottery. The pottery served as a major inspiration for the art movement.
Location La Rossa
Influences Montesuvian Pottery

Linea (Ros. for "line") is a contemporary art movement that originated in La Rossa, characterized by continuous, unbroken lines that span the full length of what is usually dark clay pottery. Followers of the artstyle tend to limit themselves to the traditional black-and-white coloring, in order to preserve the simplicity of form that characterizes it. While the customary approach sees the firing of clay in environments of low breathable air, which leads to a darkening of coloring on its surface, modern approaches tend to use darker clays enriched in manganese, or the application similarly manganese-colored, black earthware glazes. Carving through the dark surface coating through a process known as sgraffito, the relatively brighter lower layers are revealed. Many artists tend to add additional white coloring to the etchings, in order to increase the contrast.

Heavily associated with Rossan nationalism in the years following the Second Calming, the artstyle evokes the earliest examples of art on the island, most notably the Montesuvian Pottery discovered in 27 TT. Unlike Colscritto, a related art movement, linea continues the traditional approach of creating etchings on circular clay pots. The lines, spanning continuously the entire circumference of the pot, thus join into themselves, creating an unbroken repeating pattern. Despite the focus on traditionality, avantgarde approaches have seen playfulness with the form, including changing the shape of the pots, intersecting lines, and other variations.